Music does not stand alone or apart. How each of us reacts to music helps to define the piece. How an audience reacts may affect the conductor's or musician's performance. One piece is successful over time,
In this issue, Christa Brüstle presents 14 lectures from the international conference in Graz on the subject of "Music and Landscape". Historical aspects are contrasted with contemporary
English version of Hausegger's considerations on valuations in musical practice as an interaction between audience, performers and composers, first published in 1885. "[B]eneath the surface of a scientific
UE's Listening Lab series continues with a discussion of Messiaen's masterpiece Oiseaux exotiques. The Listening Lab series presents intriguing new suggestions in getting the discussion started
While much attention is rightly paid to the important composers of 20th century Europe, the story of Universal Edition itself is worth the telling. Berg, Webern, Schoenberg, Mahler, and so many more came to
Another addition to the ongoing series Studien zur Wertungsforschung, Vol. 57 focuses on the chamber music of Kodaly. The collected abstracts and essays by various authors are presented in